000 04420nam a2200781 i 4500
001 ocn959535370
003 EBZ
005 20260709115231.0
006 m d
007 cr |n|||||||||
008 160928t20162016nyu ob 001 0 eng d
020 _a9781315776477
_q(electronic bk.)
020 _a1315776472
_q(electronic bk.)
020 _a9781317690580
020 _a1317690583
020 _a9781317690566
_q(e-book ;
_qMobi)
020 _a1317690567
020 _a9781317690573
_q(e-book ;
_qePub)
020 _a1317690575
020 _z9781138023420
020 _z1138023426
020 _z9781138023437
020 _z1138023434
024 7 _a10.4324/9781315776477
_2doi
037 _a4542706
_bProquest Ebook Central
040 _aEBZ
_beng
_cEBZ
049 _aMAIN
050 4 _aPN2091.S6
_bK3 2016
072 7 _aPER
_x011000
_2bisacsh
082 0 4 _a792.02/4
_223
_1https://id.oclc.org/worldcat/ddc/E3fGWhkdmTgym4TkgmwTqgwWKq
100 1 _aKaye, Deena,
_eauthor.
245 1 0 _aSound and Music for the Theatre :
_bThe art and technique of design /
_cDeena Kaye, James LeBrecht ; [with contributing writer David Budries].
250 _aFourth edition.
264 1 _aNew York ;
_aAbingdon, Oxon :
_bRoutledge, Taylor & Francis Group :
_bFocal Press,
_c2016.
264 4 _c©2016
300 _a1 online resource (xxx, 396 pages .)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
341 0 _atextual
_2sapdv
_3EBSCOhost
500 _aIncludes index.
504 _aIncludes bibliographical references and index.
505 0 _aThe evolution of sound design -- The foundation of sound design -- Developing the concept and design -- Research, resources, and selection -- The sound plot, magic sheets, and other paperwork -- Working with the theatre company -- Preparing to build the cues -- Building the show -- Rehearsals -- Running the show -- Approaches and techniques.
520 _a"Covering every phase of a theatrical production, this fourth edition of Sound and Music for the Theatre traces the process of sound design from initial concept through implementation in actual performances. The book discusses the early evolution of sound design and how it supports the play, from researching sources for music and effects, to negotiating a contract. It shows you how to organize the construction of the sound design elements, how the designer functions in a rehearsal, and how to set up and train an operator to run sound equipment. This instructive information is interspersed with 'war stores' describing real-life problems with solutions that you can apply in your own work, whether you're a sound designer, composer, or sound operator."--Publisher's description
532 0 _3EBSCOhost
_a"EBSCO evaluates our products based on the Web Content Accessibility Guidelines (WCAG) and the related Section 508 and EN 301 549 regulations in the US and EU. Most EBSCO products are substantially conformant with WCAG 2.2 level AA." Source: https://connect.ebsco.com/s/article/EBSCO-VPATs?language=en_US. Last accessed April 22, 2025.
546 _aEnglish.
588 0 _aPrint version record.
590 _aWorldCat record variable field(s) change: 650
650 0 _aTheaters
_xSound effects.
650 0 _aMusic in the theater.
650 0 _aMusic.
650 0 _aDrama.
650 2 _aMusic
650 2 _aDrama
650 7 _asound effects.
_2aat
650 7 _amusic (discipline)
_2aat
650 7 _adrama (literary genre)
_2aat
650 7 _aPERFORMING ARTS
_xTheater
_xGeneral.
_2bisacsh
650 7 _aLjudeffekter.
_2sao
650 7 _aSkådespelsmusik.
_2sao
700 1 _aLeBrecht, James,
_eauthor.
700 1 _aBudries, David,
_eauthor.
776 0 8 _iPrint version:
_aKaye, Deena.
_tSound and music for the theatre.
_bFourth edition.
_dNew York ; Abingdon, Oxon : Routledge, Taylor & Francis Group : Focal Press, 2016
_z9781138023420
_z1138023426
_w(DLC) 2015012160
776 0 8 _iPrint version:
_aKaye, Deena.
_tSound and music for the theatre : the art and technique of design.
_bFourth edition.
_dNew York, New York ; London, [England] : Routledge, c2016
_hxxx, 396 pages
_z9781138023420.
_w2015012160
856 4 0 _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1261647
_yCLICK HERE to access ebook
936 _aBATCHLOAD
942 _2ddc
_cEBOOK
999 _c2639
_d2639